2023

"Nos années 70 (chambre)", Galerie Chantal Crousel, Paris
"Pistarama", Pista 500, Pinacoteca Agnelli, Torino
“Farmacias Distantes”, Albarrán Bourdais Gallery, Madrid, Spain.
"Hypnogirl 23", Villa Stuck, Munich, Germany
“Solo house”, Albarran Bourdais, Spain.
“Endodrome”, Casino Luxembourg, Luxembourg

2022

"Panoramism and the Abstract Sector", Esther Schipper, Berlin
"Alienarium 5", Serpentine Gallery, London
"OPERA (QM.15)", Bourse de Commerce, Paris

2021

"Video Room: Dominique Gonzalez-Foerster", Museu de Arte de São Paulo, São Paulo
"Astrocytes", Jan Mot, Brussels
"La chambre humaine et la planète close", Galerie Chantal Crousel, Paris
"Volcanic Excursion (A Vision)", Secession, Vienna

2018

“From Avenue George V to 542 W 22nd St back to Via Borgognona”, Longtang, Zurich
"Martian Dreams", Galerie für Zeitgenössische Kunst, Leipzig
“Intensité Assouvissante”, Corvi-Mora, London

2016

“Pynchon Park”, MAAT Museum of Art, Architecture and Technology, Lisbon
“Opera-House”, Sonneveld House Museum, Rotterdam
“Dominique Gonazlez-Foerster 1887 – 2058”, K20 Kunstsammlung Nordrhein-Westfalen, Dusseldorf (cat)

2015

“Dominique Gonazlez-Foerster 1887 - 2058”, Centre Pompidou, Paris (cat)
“TEMPORAMA", Museum of Modern Art, Rio de Janeiro

2014

“equinimod & costumes”, 303 Gallery, New York
“Splendide Hotel”, Palacio de Cristal, Madrid
“bibliographie”, Jan Mot, Brussels

2013

“The Savage Detectives at the Cervantes Collection”, Collectorspace, Istanbul
Koyanagi Gallery, Tokyo

2012

“Belle Comme Le Jour”, Jan Mot, Brussels (with Tristan Bera)
“Return to Noreturn”, Esther Schipper, Berlin

2011

"T.1912", Solomon Guggenheim Museum, New York

2010

“De Novo”, Corvi-Mora, London

2009

"Chronotopes & Dioramas", Dia Art Foundation, New York

2008

"TH.2058 The Unilever Series: Dominique Gonzalez-Foerster", The Turbine Hall, Tate Modern, London (cat)
"Shortstories", Esther Schipper, Berlin
"Nocturama", MUSAC Museo de Arte Contemporáneo de Castilla y Léon (cat)

2007

"Expodrome", Musée d'Art Moderne de la Ville de Paris/ARC, Paris (cat)

2006

"Parc Central", Esther Schipper, Berlin (screening)

2004

"Multiverse", Kunsthalle Zürich, Zürich
"Alphavilles?", DeSingel International Arts Centre, Antwerp (cat)
"Atomic Park", Galerie Jan Mot, Brussels

2003

"Artist in Focus", Museum Boijmans Van Beuningen, Rotterdam (during the Rotterdam Film Festival)

2002

"Ann Lee", Gallery Koyanagi, Tokyo
"Anywhere Out of the World", in Exchange & Transform, Kunstverein München, Munich
"Exotourisme", Centre Georges Pompidou, Paris

2001

"Ann Lee in Anzen Zone", Galerie Jennifer Flay, Paris
"Riyo Central", Portikus, Frankfurt am Main
"Ann Lee in Anzen Zone", Galerie Schipper & Krome, Berlin
"About", CAC Contemporary Arts Center, Cincinnati (with Philippe Parreno, Pierre Huyghe)
"Cosmodrome", Le Consortium, Dijon
"Quelle Architecture pour Mars", Le Consortium, Dijon

2000

"ipanema théories", BQ, Cologne (within the scope of "oderda")
"Dominique Gonzalez-Foerster, Philippe Parreno, Pierre Huyghe", Kunstverein in Hamburg, Hamburg
"Episodic", CAPACETE Enterprise, Centro
"Ann Lee in Anzen Zone", Galerie Mot & van den Boogaard, Brussels

1999

"Seance de Shadow III (orange, bleue)", Schipper & Krome, Berlin
"Tropicale Modernité", Pavello Mies van der Rohe, Barcelona; Galerie Mot & Van Den Boogaard, Brussels (cat)
"Repulse Bay", Galerie Jennifer Flay, Paris

1998

"Home Cinema", Robert Prime Gallery, London
"88:88", Kaiser Wilhelm Museum, Krefeld
"Gonzalez-Foerster, Huyghe, Parreno", ARC, Musée d'Art Moderne de la Ville de Paris, Paris (cat)

1997

Kunstmuseum, Milwaukee, Wisconsin
"Moment Ginza", Gallery Koyanagi, Tokyo

1996

"Residence: Color", Galerie Jennifer Flay, Paris
Robert Prime, London
"cd-room", Ecole Nationale des Beaux Arts de Lyon, Lyon
The Rum, Malmö
"Zone de tournage", Fri-Art, Fribourg
"Sturm", Schipper & Krome, Cologne
"Une Chambre en Ville", Galerie Mot & Van den Boogaard, Brussels

1995

"Fille/Garçon(Sento)", Gallery Koyanagi, Tokyo
"Double Loge Biographique", Galerie Jennifer Flay, Art Basel

1994

“Brasilia Hall”, Moderna Museet, Stockholm
"Dominique Gonzalez-Foerster, Eva Marisaldi", Galerie Analix, B&L Polla, Geneva
"Interieurs", Stedelijk Museum Amsterdam, Amsterdam
"Chambres Atomiques", arsFutura, Zürich
"Les Heures", Galerie Jennifer Flay, Paris

1993

"Numero Bleu", Musée d'Art Moderne de la Ville de Paris, Paris
Museum Robert Walser, Hotel Krone, Gais
"RWF", Hohenzollernring 74, November Project: Esther Schipper/Michael Krome, Cologne

1992

"Cabinet de Pulsions", Air de Paris, Nice
"Nos Années 70 et Autres Récits", Galerie du Mois, Paris
"Et la Chambre Orange", Villa Arson, Nice

1991

"Le Mystère de la Chambre Jaune", Esther Schipper, XII, Art Brussels
"The Daughter of a Taoist", Esther Schipper, Cologne

1990

Galerie Gabrielle Maubrie, Paris (with Maria de Medeiros)
"The Mind of a Mnemonist", Esther Schipper, Cologne

1988

“Bienvenue à Ce Que Vous Croyez Voir", Galerie Gabrielle Maubrie, Paris

1987

"La Ligne 19&&", Galerie de Paris, Paris

1986

"Mouchoirs Abstraits", Bibliothèque de l'Ecole des Beaux-Arts, Grenoble

2024

"Radical Software, 'Women, Art & Computing 1960-1991'", MUDAM, Luxemberg
"Summer Exhibition", Fondation Beyeler, Riehen/Basel

2023

"Is Something Missing?", FRAC Corsica, Corsica
“Avant l’orage”, Bourse de Commerce, Fondation Pinault, Paris
“Worldbuilding”, Centre Pompidou Metz, Metz
“Biennale Son”, Le Valais, Sion
“Aux Temps du sida, œuvres, récits et entrelacs”, Musée d’Art Moderne et Contemporain de Strasbourg, Strasbourg
“They”, Consortium de Dijon, Dijon
“Incorporama”, Tropigalpao, Rio de Janeiro

2022

“Atmosphères sensibilisées”, galerie Jousse Entreprise, Paris
“Biennale de Kathmandu”, Kathmandu
“Une seconde d'éternité”, Bourse de Commerce, Fondation Pinault, Paris
“Farbe ist Programm”, Bundeskunsthalle Museumsmeile Bonn, Bonn
“Yasmine and the Seven Faces of the Heptahedron”, Various locations, Bergen
“Toronto International Film Festival”, Power Plant, Toronto
“DeSign of the Times, Thinking about objects through time & culture”, Frac Grand Large, Dunkerque
“Sous le velours noir des paupières”, Frac Poitou-Charentes, Angoulême
“Broken Music Vol. 2, 70 Years of Records and Sound Works by Artists”, Hamburger Bahnhof – Nationalgalerie der Gegenwart, Berlin

2021

Luma, Arles
"Age of You: a kaleidoscopic exploration of the extreme self", Jameel Arts Centre, Dubai

2020

"Jahresgaben 2020", Kunstverein Für Die Rheinlande Und Westfalen, Düsseldorf
"Nuit Blanche, 2020", Palais Galliera, Paris
"Backstage: Topology Of Contemporary Art", Kunstverein In Hamburg, Hamburg
"Untitled, 2020. Three perspectives on the art of the present", Punta Della Dogana, François Pinault Foundation, Venice

2019

"Age of You", MOCA, Toronto
“More than Humans”, Museo Nacional Thyssen-Bornemisza, Madrid
“La stanza analoga”, Fondazione Sandretto Re Rebaudengo Collection, Palazzo Biscari, Catania
“Where the Oceans Meet”, The Museum of Art and Design, Miami Dade College, Miami
“Opera as the World – The quest for a total work of art”, Centre Pompidou-Metz, Metz
"May You Live in Interesting Times”, 58th International Art Exhibition – la Biennale di Venezia, Central Pavilion - Arsenale, Venice
"Luogo e Segni", Palazzo Grassi–Punta della Dogana, Venice
"Cabinet d’amateur", an oblique novel, Whitechapel Gallery, London

2018

"Dreaming Awake", Marres Maastricht, Maastricht
"EVA International – Ireland’s Biennial", Limerick
"Welt ohne Aussen", Martin Gropius Bau, Berlin
"In Tune with the World", Fondation Louis Vuitton, Paris

2017

"Biennial Anozero, Healing and Repairing", Coimbra, Portugal
"Field Guide", Remai Modern, Saskatoon, Canada
"Take Me (I'm Yours)", Pirelli HangarBicocca
“High Tension: 8 Winners of the Marcel Duchamp Prize”, Red Brick Art Museum, Beijing
“Mondialité”, Fondation Boghossian-Villa Empain, Brussels
“Shanghai Project, Chapter 2, Seeds of Time”, Shanghai
“Jardin infini. De Giverny à l’Amazonie”, Le Centre Pompidou-Metz
“Roberto Burle Max: Brazilian Modernist”, Deutsche Bank KunstHalle, Berlin
‘Summer in Shanghai”, Pond Society, Shanghai

2016

“Roberto Burle Max: Brazilian Modernist”, The Jewish Museum, New York “Costumes & Wishes for the 21st century”, Schinkel Pavillon, Berlin
“Dreamlands: Immersive Cinema and Art, 1905–2016”, Whitney Museum of American Art, New York 
“The Infinite Mix” Hayward Gallery(Offsite), London
“Decor”, Foundation Boghossian-Villa Empain, Brussels

2015

"Belle comme le jour" Turku Art Museum, Turku
“Invitation au Voyage”, Centrale for Contemporary Art, Brussels
“Mobile M+: Moving Images”, Midtown POP, Hong Kong
“Parasophia: Kyoto International Festival of Contemporary Culture”, Kyoto Municipal Museum of Art, Kyoto

2014

"The Library is on Fire 1(c): Haunting Glyphs", Protocinema, Istanbul
"Reading Cinema, Art Finding Words: Art After Marcel Broodthaers", The National Museum of Modern Art, Tokyo (cat)
"Lucius Burckhardt and Cedric Price – A stroll through a fun palace", Swiss Pavilion, Giardini, Venice
"Manifesta 10", The Stage Hermitage Museum, Saint Petersburg
"La Décennie", Centre Pompidou Metz, Metz
"Return to Noreturn 2, 2014", Biennale de Montreal, Musée d’art contemporain de Montreal, Montreal

2013

"P33: Formas Unicas da Continuidade no Espaco", 33rd Panorama of Brazilian Art, Museum of Modern Art, Sao Paulo
“Reading Cinema, Art Finding Words: Art After Marcel Broodthaers”, MOMAK, The National Museum of Modern Art, Kyoto (cat)
"Philippe Parreno", Palais de Tokyo, Paris
“Sommerausstellung”, Esther Schipper, Berlin
"Cloud Illusions I Recall", Irish Museum of Modern Art, Dublin
Corvi-Mora, London
"The Insides are on the Outside", Casa de Vidro Lina Bo Bardi, Sao Paulo
“Back to Tomorrow”, Galerie für Zeitgenössische Kunst, Leipzig
“Merci Mercy”, 980 Madison Ave, New York
“Stage It! (Part 2)”, Stedelijk Museum, Amsterdam

2012

“Open End”, Haus der Kunst, Munich
“The Perfect Show”, 303 Gallery, New York
“2nd Mardin Biennial”, Mardin, Turkey

2010

“Last Days”, Esther Schipper, Berlin
“The Mirage of History”, Kaleidoscope, Milan
“My Favourites - Index of a Certain Collection: Selections from the MoMAK Collection”, The National Museum of Modern Art, Kyoto

2009

"Performa 09", New York
"Evento – Biennale de Création Urbaine", Bordeaux
"The New Monumentality", Henry Moore Institute, Leeds
"Making Worlds", 53rd International Art Exhibition, La Biennale di Venezia 2009, Venice

2008

"The Wizard of Oz", CCA Wattis Institute for Contemporary Arts, California College of the Arts, San Francisco
"Theanyspacewhatever", Solomon R. Guggenheim Museum, New York
"The Artist’s Library", Centre International d’Art et du Paysage, île de Vassivière, France (curated by Carrie Pilto) (cat)
"Collection Videos & Films Isabelle & Jean-Conrad Lemaître", Kunsthalle zu Kiel
"Vertrautes Terrain", ZKM Zentrum für Kunst und Medientechnologie, Karlsruhe

2007

"Siempre Todavía – Everstill", Huerta de San Vicente. Federico García Lorca Foundation, Granada (curated by Hans Ulrich Obrist)
"The World As A Stage", Tate Modern London; ICA, Boston
"Skulptur Projekte Münster", Münster (cat)
"Il Tempo del Postino", Manchester International Festival, Manchester, UK
“Airs de Paris", Centre Georges Pompidou, Paris (cat)
"Merce Cunningham: Dancing on the Cutting Edge", Museum of Contemporary Art, North Miami

2006

"All Hawaii Entrees/Lunar Reggae", Irish Museum of Modern Art, Dublin (cat)
27 Bienal de São Paulo, São Paulo (cat)
"Sol Système", Centre d’Art Passerelle, Brest
"The Secret Theory of Drawing", The Drawing Room, London
"Chambre Avec Vues, Domaine Départemental de la Garenne Lemot", Gétigné-Clisson
"Body And Soul: Regard sur une Collection Privé", FRAC Provence-Alpes-Côte d’Azur, Marseille
"Anne Collier, Dominique Gonzalez-Foerster, Roger Hiorns, Colter Jacobsen", Corvi-Mora, London
"Tropicalia", Barbican, London; Bronx Museum, New York; MCA, Chicago (cat)

2005

"Lichtkunst aus Kunstlicht", Museum für Neue Kunst, Karlsruhe (cat)
"Flirt", Le Centre Culturel Francais De Milan, Milano
"Bidibidobidiboo", Fondazione Sandretto Re Rebaudengo, Guarene/Torino
"Ambiance", K21, Düsseldorf (cat)
"20 Years Caixa Forum", Caixa Forum, Barcelona
"Manon de Boer and Brussels", Van Abbe Museum, Eindhoven
"Tropical Abstraction", Stedelijk Museum Bureau Amsterdam, Amsterdam
"Wall Pieces", Jan Mot, Brussels

2004

"Before The End", Le Consortium (curated by Stéphane Moisdon Trembley) Dijon
"Nanook Cinema", Dak’Art Biennale, Dakar
"Strategies of Desire", Kunsthaus Baselland, Muttenz/Basel
"Anna Sanders Films", Worldwide Video Festival, Filmmuseum, Amsterdam
"Teasing Minds – Workshop, Challenging The Conservative Brain", Kunstverein München, Munich
"Ralentir Vite", Le Plateau, Paris

2003

"Utopia Station", Biennale di Venezia, Venice (cat) 49. Internationale Kurzfilmtage, Oberhausen
"Made in Paris", different venues, London
"GNS", Palais de Tokyo, Paris (cat)
"Happiness. A Survival Guide for Art and Life", Mori Art Museum, Tokyo

2002

"Malerei Ohne Malerei", Museum der Bildenden Künste, Leipzig
Documenta XI, Kassel (cat)
"Häuser für Leipzig. KünstlerInnen als ArchitektInnen", Galerie für Zeitgenössische Kunst, Leipzig
"Ten Years Ars Futura", Galerie Ars Futura, Zurich
Liverpool Biennial, various venues, Liverpool
Busan Biennale, Busan (Korea)
"Screen Memories", Art Tower, Mito
Villa do Condo (Film Festival), Portugal
"No Ghost Just a Shell", Institute of Visual Culture, Cambridge

2001

"exhibition2", IASPIS, Stockholm
"Egofugal", 7th International Istanbul Biennial, different venues throughout the city, Istanbul
"doublelife. Identität und Transformation in Der Zeitgenössischen Kunst", Generali Foundation, Vienna
"Ein Raum ist eine Welt", Kunsthalle Zürich, Zurich Fondation Mamco, Geneva
"Filmes de Artistas", Festival do Rio, Rio do Brasil
"MEGA-WAVE-Towards a New Synthesis", International Triennale of Contemporary Art, Yokohama

2000

"Ich ist etwas Anderes. Kunst am Ende des 20. Jahrhunderts", Kunstsammlung Nordrhein-Westfalen, Düsseldorf
"Xn00", Espace des Arts, Châlon-sur-Saône
"Des Arts Plastiques...à La Mode: Rencontres Avec des Jeunes Talents", Christie's, Paris
"Elysian Fields", Centre George Pompidou, Paris
"Voilà. Le monde dans la tête", ARC, Musée d'Art Moderne de la Ville de Paris, Paris
"What If. Art on the Verge of Architecture and Design", Moderna Museet, Stockholm
"Presumés Innocents. L’art Contemporain et L’Enfance", CAPC, Bordeaux; Kunstverein in Hamburg
"All You Can Eat", Galerie für Zeitgenössische Kunst, Leipzig ("Permanent Food")
"Voyager à la Verticale", Maison de la Villette, Parc de la Villette, Paris
"The Real and The Fake", Nationalgalerie im Hamburger Bahnhof, Berlin
"Brave New World", Galerie Jennifer Flay, Paris

1999

"fast forward body check", Kunstverein in Hamburg, Hamburg
"Get Together - Kunst als Teamwork", (with Maurizio Cattelan), Kunsthalle Wien am Karlsplatz, Vienna
"Changement d'Air", Musée d'Art Moderne de Villeneuve d'Ascq, Villeneuve d’Ascq
Biennale di Venezia, Venice
8e Biennale del’image en Mouvement, Centre pour l’image contemporaine, Saint-Gervais, Geneva

1998

Berlin, 1. berlin biennale, Berlin
"Manifesta 2", European Biennal of Contemporary Art, Luxembourg
"La Spere de l'Intime", Printemps de Cahors, Cahors
"Inglenook", Feigen Contemporary, New York
Domestique, Attitudes, Geneva
"Premises: Invested Spaces in Visual Arts, Architecture and Design From France", 1958-98, Guggenheim Museum SoHo, New York

1997

"Images, Objects, Scènes. Quelques Aspects de l'Art en France Depuis 1978", Le Magasin, Grenoble
"It Always Jumps Back and Finds Its Way", De Appel, Amsterdam
"Was Nun?", Schipper & Krome, Berlin
"Moment Ginza", Magasin Grenoble; Färgfabriken, Stockholm (curated by Dominique Gonzalez-Foerster)
"Niemandsland", Haus Lange und Haus Esters, Krefeld
Cities on the Move", Secession, Vienna; CAPC Bordeaux
"Inside Out", Städtische Ausstellungshalle Am Hawerkamp, Münster
Robert Prime, London
"Urban Mirages", Hiroshima Art Document ´97, Minami-Cho Hiroshima
"Kunst..Arbeit", Südwest LB, Stuttgart

1996

"Traffic", curated by Nicolas Bourriaud, CAPC Musée d’Art Contemporain, Bordeaux (curated by Nicolas Bourriaud)
"Collezionismo a Torino", Castello di Rivoli, Torino
"Entre-Deux", Galerie Mot & Van den Boogaard, Brussels
"Dites-le Avec Des Fleurs", Chantal Crousel, Paris
"Beige", Saga Basement, Copenhagen (curated by Elein Fleiss and Olivier Zahm)
"Joint-venture", Stephano Basilico, New York (curated by Nicolas Bourriaud)
Ecole Nationale Superieur des Beaux-Arts de Paris, Paris (curated by Robert Fleck)
"Auto-Reverse", Magasin, Centre National d’Art Contemporain, Grenoble
"Files", Art as position in the age of global technologies, Bunker, Berlin

1995

"Toys", Galerie Jousse Seguin, dor Documents (curated by Nicolas Bourriaud & Eric Troncy)
"Caravanseray of Contemporary Art", Pescara (curated by Giacinto di Pietrantonio)
"A Space", Tapko Overgaden, Copenhagen
"Collection", fin XXe, FRAC poitou-Charentes, Angouleme
"Hotel Mama-Aperto 95", Kunstraum Wien, Vienna (curated by Peter Friedl)
"Alles Was Modern Ist", Galerie Bärbel Grässlin, Frankfurt (curated by Michael Neff)

1994

"Handmade", Friesenwall 116a: Esther Schipper und Michael Krome
"don't look now", Thread Waxing Space, New York (conceived and organized by Joshua Decter)
"L'hiver de l'amour", ARC Musée d'Art Moderne de la Ville de Paris, Paris (proposed by Elein Fleiss, Dominique Gonzalez-Foerster, Bernard Joisten, Jean-Luc Vilmouth and Olivier Zahm)
FRAC Poitou-Charentes, Hotel Saint Simon, Angouleme
"Cocktail I", Kunstverein in Hamburg - Foyer, Hamburg
"RAS Rien A Signaler", Galerie Analix- B&L Polla, Geneva
"Winter of Love", ICA, P.S.1 Museum, Island City, New York
"Miniatures", the agency, London
"Sonnemünchen", Daniel Buchholz, Cologne
"Soggetto-Soggetto", Castello di Rivoli, Torino, (curated by Francesca Pasini and Giorgio Verzotti)

1993

"Documentario", Spazio Opos, Milan
Esther Schipper at Christopher Grimes Gallery, LA International, Santa Monica
"Domorama", La Criee, Rennes
"Les Editions Belle Haleine", Galerie de Expeditie, Amsterdam
"Just What Is It That Makes Today's Homes So Different, So Appealing?", Galerie Jennifer Flay, Paris
"Eau De Cologne 83-93", Monika Sprüth Galerie, Cologne
"June", Galerie Thaddaeus Ropac, Paris (realized by Dike Blair, Elein Fleiss, Anne Fremy, Dominique Gonzalez-Foerster, Bernard Joisten, Jean-Luc Vilmouth, Olivier Zahm)
"Emergency", Aperto, 45 Biennale Di Venezia, Venice
"Backstage", Kunstverein Hamburg; 1994 Kunstmuseum Luzern
"Hotel Carlton Palace Chambre 763", Hotel Carlton Palace, Paris (organizied by Hans-Ulrich Obrist)
"Unplugged: The Demo Video Tape", Holiday Inn, Cologne, (curated by Nicolas Bourriaud)
"Dokumentationsraum", Esther Schipper, Cologne
"Comme Rien d'Autre Que Des Renconcontres", MUHKA, Museum van Hedendaagse Kunst, Antwerpen

1992


"Huitièmes Ateliers Internationaux Des Pays de la Loire", F.R.A.C. des Pays de la Loire, Garenne Lemot-Gétigné, Clisson

"Le Dimanche de la Vie", Gio'Marconi, Milano

"Exhibit A", Serpentine Gallery, London (selected by Henry Bond)

"MoltePlici Culture", Museo Del Folklore, Roma (organized by Carolyn Christov Bakargiev)

"lying on top of a building the clouds seemed no nearer than they had when I was lying on the street", Le Case d'Arte, Milano; Monika Sprüth Galerie, Cologne

"Manifesto", a traveling Poster Exhibition in a tube, coordinated and produced by: API(NY) and Castello di Rivara (Torino) (curated by Benjamin Weil)

"Informationsdienst", a travelling informationservice organized by Ausstellungsraum Künstlerhaus, Stuttgart

"Through the Vie*wfinder", Stichting De Appel, Amsterdam

"I, Myself and Others", Magasin, Grenoble, curated by Thierry Ollat

"Les Survivants", Galerie de Paris, Paris, curated by E. Fleiss and J-L. Vilmouth

"One + One", La Galerie du Mois, Paris

“Tattoo Collection", Air de Paris, Nice; Jennifer Flay, Paris; Daniel Buchholz, Cologne; Andrea Rosen, New York. Organized by: Air de Paris and Urbi et Orbi

"Vingt Pieces Fragiles", Galeria Analix, Geneva, Presented by: Gianni Romano

"Iconografia Sveviana", Le case d'arte, Milano

1991

"Real Time", Art Metropole, Toronto
"Rève, Fantaisie", Galerie du Mois, Paris (curated by Dominique Gonzalez-Foerster, Bernard Joisten, Elein Fleiss)
"Gulliver's Travels", Galerie Sophia Ungers, Cologne
"Itinerari", Castello di Rivara, Torino (curated by Benjamin Weil)
"No Man's Time", Villa Arson, Nice (curated by Eric Troncy and Christian Bernard)
"French Kiss II", Centre d'art contemporain, APAC, Nevers
"L'amour de l'art", Biennale d'Art Contemporain, Lyon
"Parcours Privés", 11 sculpteurs investissent 11 cours du Marais, Paris, (curated by Adelina von Fürstenberg)
"Topographie II: Underground", Videoinstallations in the Subway system, project by the "Wiener Festwochen", Vienna
"Plastic Fantastic Lover (object a)", BlumHelman Warehouse, New York
"L'Esprit Bibliothèque", Galerie du Mois, Paris (curated by Catherine Liu)

1990

"The Köln Show", in 9 Cologne Galleries, Cologne
"French Kiss I", A Talk Show, Halle Sud, Geneva (curated by Eric Troncy)
Grenoble in Innsbruck, Galerie im Taxispalais, Innsbruck
Court-métrages immobiles, Prigioni, Venice (curated by Nicolas Bourriaud)
"Au Commencement", Centre d'Art Contemporain, Forges Royales, Guerigny
"No, Not That One, It's not a Chair", Galerie 1900/2000, Paris (curated by Elein Fleiss)
"The Multiple Project Room", Air de Paris, Nice

1989

"Bientôt Trois Ans", Galerie Gabrielle Maubrie, Paris
"Genetics", Esther Schipper, Cologne
"Fictions", Mirabel International Airport, Montreal
"De l'Instabilité", CNAP, Paris
"Ozone", APAC, Nevers (with Bernard Joisten, Pierre Joseph, Philippe Parreno)
"Ozone", Esther Schipper, Cologne

1988

"El Permeable del Gesto", Centro Galileo, Madrid
"Villa Redenta 2", Spoleto
"E3", Institute of Modern Art, Brisbane (curated by Catherine Arthus-Bertrand)

1987

"Journal", Los Angeles (curated by Catherine Arthus-Bertrand)
San Roque 3, Private apartment, Madrid
"In de Lege Ruimte", Galerie De Lege Ruimte, Brugge

2019

"Bashung(s)", Forum des Images, Paris

2014

"Scintillation or Disappearance”, National Museum of Modern and Contemporary Art, Seoul

2013

"Belle comme le jour”, 25 FPS Festival, Zagreb
The National Museum of Modern Art, Kyoto
“Belle comme le jour”, 57th BFI London Film Festival, BFI Southbank, London

2022

"Projet MIRE", Fonds cantonal d’art contemporain, Chêne-Bourg, Geneva

2020

"Nuit Blanche", Musée Galliera, Paris

2019

“Textodrome”, Centre Pompidou, Paris
“Exotourisme”, Centre Pompidou, Paris

2018

"Exotourisme", The Vinyl Factory, London

2014

“M.2062 (la partie de l’opéra)”, Fondation Louis Vuitton, Paris
“Lola Montez”, Circus Cabuwazi, Berlin
“Dîner Noire: Tristan Bera and Dominique Gonzalez-Foerster”, Protocinema, Istanbul

2013

“M.2062 (Scarlett)”, Parasophia: Kyoto International Festival of Contemporary Culture 2015: Open Research Program, Kyoto
“M.2062”, Stedelijk Museum, Amsterdam

2016

Edited by Emma Lavigne, with Dominique Gonzalez-Foerster, “Dominique Gonzalez-Foerster 1887-2058”, Prestel Verlag, Munich

2015

Serge Lasvignes, Bernard Blistène, Emma Lavigne, Catherine Millet, Pablo León de la Barra, Enrique Vila-Matas, Dominique Gonzalez-Foerster, Nicole Brenez, Tristan Bera, Elia Biezunski, "Dominique Gonzalez-Foerster 1887-2058", Editions du Centre Pompidou, Paris

2013

Ana Pato, “ Literatura expandida: arquivo e citação na obra de Dominique Gonzalez-Foerster”, Edições Sesc-SP e Associação Cultural Videobrasil, São Paulo

2008

“TH.2058", The Unilever Series, Tate Modern, London
"Nocturama", MUSAC Museo de Arte Contemporáneo de Castilla y Léon, Leon
Hans Ulrich Obrist, "The Conversation Series: Dominique Gonzalez-Foerster", Köln

2007

"Expodrome", Musée d'Art Moderne De la Ville de Paris / ARC, Paris

2006

Dominique Gonzalez-Foerster, "Tropicalisation", deSingel, Antwerp and JRP Ringier, Zürich

2004

Dominique Gonzalez-Foerster & Daisuke Miyatsu, "Moment Dream House", Mori Art Museum, Tokyo
Dominique Gonzalez-Foerster, "Alphavilles?", Kunsthalle, Zürich/deSingel, Antwerp, Zurich

2003

"Films. Dominique Gonzalez-Foerster", Portikus, Frankfurt and Le Consortium, Dijon, Paris

2002

Stéphanie Moisdon-Trembley, "Dominique Gonzalez-Foerster", Paris
Dominique Gonzalez-Foerster, "PARK – Plan d’evasion", Gent

1999

Edited by D. Gonzalez-Foerster, J. Hoffmann "Tropical Modernité", Fondation Mies van der Rohe, Barcelona

2014

“The Twenty First Century Art Book”, Phaidon, London, p.100

2013

“Reading Cinema, Art Finding Words: Art After Marcel Broodthaers”, MOMAK, The National Museum of Modern Art, Kyoto, pp. 104-113 (cat)
“Cloud Illusions I Recall”, IMMA, Dublin (cat)
“Kunst entdecken 3”, Cornelsen Schulverlage, Berlin, p. 107

2009

David Bussel, "Looking at Display. Images of Contemporary Art in London Galleries", Rachmaninoffs, London, p.23

2008

"The New Monumentality", Henry Moore Institute, Leeds
Edited by Nancy Spector, "Theanyspacewhatever", Solomon R. Guggenheim Museum, New York
Edited by Jens Hoffmann, "The Wizard of Oz", CCA Wattis Institute, San Francisco (cat)

2007

Jessica Morgan and Catherine Wood, "The World as a Stage", Tate Modern, London (cat)
Daniel Birnbaum, "Chronology", Sternberg Press, Berlin
"Skulptur projekte münster 07", Verlag der Buchhandlung Walter König, Köln

2006

"Faster! Bigger! Better!", ZKM, Museum für Neue Kunst, Karlsruhe (cat)
"27th Bienal de Sao Paulo", Guia, Sao Paulo, pp.64-65 (cat)
"Balenciaga Paris", Les Arts décoratifs, Paris and Thames & Hudson Ltd, London
"All Hawaii Entrées/Lunar Reggea", Irish Museum of Moden Art, Dublin (cat)
"Fischli Weiss", Fragen und Blumen, JRP Ringier, pp.114-121
Edited by Sylvia Martin, Uta Grosenick, "Art Vidéo", Taschen, pp.50-51
Edited by Carlos Basualdo, "Tropicália", Cosac Naify, Sao Paulo

2005

Edited by Yves Aupetitallot, "Magasin 1986 – 2006", JPR Ringier, p.154
"Des Deux Cotés Du Rhin", Snoeck, Cologne, p.87 (cat)
"Dean, Tacita & Millar", Thames & Hudson, London, pp. 30-31
"The Collection of 21st Century Museum of Contemporary Art, Kanazawa (2004-2005)", Museum of Contemporary Art, Kanazawa, p.35 (cat)

2004

Edited by Jochen Volz, "Turbulenz, Portikus Projekte 2001-2004", Portikus Frankfurt am Main, pp.68-69

2003

Nicolas Bourriaud, "Postproduction", Collection Documents sur l’art, Dijon

2002

"Le Prix Marcel Duchamp 2002", Centre George Pompidou, Paris
"International 2002", Liverpool Biennial of Contemporary Art, Liverpool

1999

Edited by Alfred Nemeczek, "Das Bild der Kunst. 20 Jahre art Das Kunstmagazin",Hamburg

1998

"Dominique Gonzalez-Foerster, Pierre Huyghe, Philippe Parreno", Musée d'Art Moderne de la Ville de Paris, Paris
"1° Berlin Biennial", Berlin (cat)

1996

Edited by Nicolas Bourriaud, "Traffic", CAPC Musée d’Art Contemporain, Bordeaux
"Collezionismo a Torino", Castello di Rivoli, Turin

1995

“Collection, fin Xxe", FRAC Poitou-Charentes, Anguoleme
Edited by Peter Friedl, "Hotel Mama - Aperto '95", Kunstraum Vienna, Vienna

1994

Edited by Giorgio Verzotti and Francesca Pasini, "Soggetto-soggetto", Castello di Rivoli, Torino
Edited by Joshua Dexter, "Don't look now", Thread Waxing Space, New York
Edited by Barbara Polla and Gianni Romano, "Dominique Gonzalez-Foerster, Eva Marisaldi", Galerie Analix, Geneva, Art Studio Milan, Milan
Edited by Dominique Gonzalez-Foerster, "Interieurs", Stedelijk Museum, Amsterdam
Edited by Barabara Polla and Gianni Romano, "Rien à signaler", Galerie Analix, Geneva
Edited by Elein Fleiss, Dominique Gonzalez-Foerster, "L’hiver de l’amour bis", Bernard Joisten, Jean-Luc Vilmouth and Olivier Zahm, Société des Amis du Musée d’Art Moderne de la Ville de Paris, Paris

1993

"Through the viewfinder", De Appel Foundation, Amsterdam
"Biographique", Numero Bleu, Musee d'Art Moderne de la Ville de Paris, Paris
Edited by M. Cingolani, "Documentario 2", M. Kaufmann, Italien
"XLV. Esposizione internazionale d'arte", La Biennale di Venezia, Venice
"Project unite", Unite Firminy, France

1992

"Huitièmes ateliers internationaux des pays de la Loire", F.R.A.C. des Pays de la Loire, Garenne Lemot
"Le dimanche DE la vie", Gio'Marconi, Milan
Edited by Andrea Schlieker and Henry Bond, "Exhibit A - eight artists from Europe and America", Serpentine Gallery, London
Edited by Carolyn Christov-Bakargiev and Ludico Pratresi, "Molteplici culture", Rome
"Dirty Data - Sammlung Schürmann", Ludwig Forum für internationale Kunst, Aachen
"Twenty fragile pieces", Galerie Analix, B&L POLLA, Carouge/Geneve, Milan

1991

"No Man's Time", Villa Arson, Nice
"Topographie II: Untergrund", Wiener Festwochen, Vienna
"Plastic Fantastic Lover", BlumHelman Warehouse, New York
"Parcours Prives 91", Magasin, Centre National d'Art Contemporain, Grenoble
"L'esprit bibliotheque", Les Editions Belle Haleine/La Galerie du Mois, Paris
"Gullivers Reisen/Gulliver's travels", Galerie Sophia Ungers, Cologne

1990

"French Kiss", Halle Sud, Geneva
"The Köln Show", nine Cologne Galeries (Buchholz, Capitain, Grunert, Hetzler, Jablonka, Kacprzak, Schipper, Sprüth, Ungers), Cologne
"Grenoble in Innsbruck", Galerie de l'Institut Francais d'Innsbruck, Innsbruck
"Court-metrages immobiles", AFAA, Association Francaise d'Action Artistique, Paris
"Artistique, Le Prigioni", XLIV Biennale di Venezia, Venice
"Au commencement", Les Forges Royales de la Chaussade, Guerigny
"NO", Elein Fleiss, Paris

1989

"De l'instabilité", Centre National des Arts Plastiques, Paris
Edited by Jerome Sans, "Fictions", LGE et Aubes 3935 Galerie Montreal

1988

"Villa Redenta 2", Il Festival Dei Due Mondi, Spoleto

1987

Ecole Beaux-Arts Grenoble", Ecole Beaux-Arts de Grenoble, Grenoble

2007

Dominique Gonzalez-Foerster, "Best of 2007, Books", Artforum, December, p.112
Dominique Gonzalez-Foerster is co-editor of Purple Prose. Texts relating to her investigations have been puplished in every issue

1996

Dominique Gonzalez-Foerster, "Il mistero di Oberwald", Paletten, Nr.224

1991

Dominique Gonzalez-Foerster, Roman Feuilleton, "Un morceau d'histoire blanche", “11e.Episode", Gazette, pp.16-17

1995

"Calender", E Il Topo, periodico d’artista anno IV, Edizioni Nuovi Strumenti, Brescia, No.7
"Permanent Food", Artists Magazine, published in Paris together with Maurizio Cattelan

1992

Creative Camera, December/January
"cut it out", Three projects, curated by Benjamin Weil, Frieze, No.4, April/May

1989

"Ada En Ada", Eau de Cologne, No.3, November
"a", Iskousstvo, Issue 7, Front cover

2022

Shraddha Nair, “Serpentine Gallery presents ‘Alienarium 5’, a show by Dominique Gonzalez-Foerster”, Stir World, July 25
Ben Luke, “A brush with... Dominique Gonzalez-Foerster”, Podcast, The Arts Newspaper, June 15
Ben Luke, "Dominique Gonzalez-Foerster: Alienarium 5 at the Serpentine Gallery review: sci-fi magic", Evening Standard, April 14
Eddy Frankel, "Dominique Gonzalez-Foerster: ‘Alienarium 5’", Time Out, April 13
Violet Conroy, “Stranger Than Fiction: Inside Dominique Gonzalez-Foerster’s New Exhibition” AnOther Magazine, April 14
Laura Cumming, “Dominique Gonzalez-Foerster: Alienarium 5 review – An all-together-now of beautiful minds", The Guardian, April 17
Martha Elliott, “Dominique Gonzalez-Foerster imagines extraterrestrial life in VR and beyond”, Wallpaper Magazine, May 3

2021

Camille Tallent, "Art et Architecture, Les Dioramas de Dominique Gonzalez-Foerster", Archistorm, April 23

2019

“Gonzales-Foerster explores VR's endless space at Venice Art Biennale 2019”, Design Boom, May 17
Alison Jones, “HTC VIVE and Dominque Gonzalez-Foerster Debut VR Artwork at Venice Biennale”, Invision Game Community, May 9
Anton Spice, “Dominique Gonzalez-Foerster returns as Exotourisme on synth noir 12” Tornado Alley”, The Vinyl Factory, April 29
Anton Spice, “Mountain frequencies: Suzanne Cianni, Dominique Gonzalez-Foerster and Doug Aitken ignite Elevation 1049”, The Vinyl Factory, February 4

2018

Oliver Basciano, “Dominique Gonzalez-Foerster at Corvi-Mora”, ArtReview, Summer
Dominique Gonzalez-Foerster at Corvi-Mora” Blouin Artinfo, May 1
Roxana Marcoci, “Dominique Gonzalez-Foerster and Roxana Marcoci in Conversation”, Mousse 63, April–May
Cody Delistraty, “In Harmony (Almost) at Fondation Louis Vuitton in Paris”, Blouin Art, April 24
James Gabriel Martin, “This Rotterdam gallery is filled with musicians instead of artwork for the next month”, Lonely Planet, February
Nina Siegal, “These Gallery Walls Are Empty. Here, You Listen to the Art.”, nytimes.com, January 24

2017

Dominique Gonzalez-Foerster, “Artists' Artists: Dominique Gonzalez- Foerster”, Frieze.com, September 27
Laurie Cluitmans, “Critic’s Guide: Rotterdam”, Frieze.com , February 14
Frog, Number 16, Fall/Winter 2016-2017

2016

Catherine Francblin, “La réinvention de Dominique Gonzalez-Foerster”, artpress No. 426, April, pp. 52-59
Mara Hoberman, "Dominique Gonzalez-Foerster: Centre Pompidou", Artforum, January, p.254

2015

Vivian Sky Rehberg, “Dominique Gonzalez-Foerster”, Frieze, No. 176, December, p.148
Par Emmanuelle Lequeux, “Dominique Gonzalez-Foerster se joue du « Je »”, LeMonde.fr, October 24
Arielle Bier, “Dominique Gonzalez-Foerster Transforms the Vienna Opera with an Homage to Helen Frankenthaler”, Artsy.net, October 6
Mark Beech, “Dominique Gonzalez-Foerster Dives in the Deep End at Pompidou”, BlouinArtInfo.com, September 26
Oliver Basciano, "Portrait Dominique Gonzalez-Foerster", Spike Art Quarterly #45, September, pp.98-109
Camila Molina, “Dominique Gonzalez-Foerster cria espaco de imersao em mostra no Rio”, CulturaArtes.com.br, June 19
“Dominique Gonzalez-Foerster expoe Museu de Arte Moderna do Rio", ArtRio.art.br, June

2014

Emmanuelle Lequeux, “Pour renifler l'esprit des nineties, détour par le Centre Pompidou-Metz”, LeMonde.fr, August 22
Eric Loret, “A Metz, la compil des annees 90”, Next.Liberation.fr, July 20
Wendy Vogel, “3 Must-See Gallery Shows in New York”, BlouinArtInfo.com, May 24
Media Farzin, “Review: Dominique Gonzalez-Foerster’s “equinimod & costumes” at 303 Gallery”, art-agenda.com, May 21
Roberta Smith, “Dominique Gonzalez-Foerster: ‘equinimod & costumes’”, The New York Times, May 16, p.C27
Kat Herriman, “Closet Case: Artist Dominique Gonzalez-Foerster reaches into her wardrobe for her first New York gallery show”, WMagazine.com, April 18
Dominique Gonzalez-Foerster at Jan Mot, ContemporaryArtDaily.com, April 8
Daniel Birnbaum, Preview, “Dominique Gonzalez-Foerster: Splendid Hotel”, Artforum, January

2013

Emmanuelle Lequeux, “Discussions nocturnes et cafes enfumes, l’ecole ideale”, Le Monde, August 2013
Pablo Leon de la Barra, “Lina Bo Bardi The Insides are on the Outside curated by Hans Ulrich Obrist at Casa de Vidro and Sesc Pompeia, Sao Paulo”, Centre for the Aesthetic Revolution (blog), April 15
Jens Kassner, “Rueckblicke ohne Traenen”, Leipziger Volkszeitung, February 26

2012

“T.451: A Scenic Walk by Dominique Gonzalaez-Foerster and Ari Benjamin Meyers”, e-flux.com, May 20
Kirsty Bell, “Review: Dominique Gonzalez-Foerster’s “Return to Noreturn”, art-agenda.com, May 14
Isabel Martinez Abascal, “Art in the house of glass”, domus, September 18

2010

Victoria Northorn, “Best of 2010”, Artforum, December
“Pick of the Week”, The Guide, Guardian, April 24-30, p.40
Kristin M. Jones, “Dominique Gonzalez-Foerster, Frieze, March, p.127
Katrina Brown, “Biennials and Group Shows”, Frieze, January/February, pp.84-85

2009

Eleanor Heartney, “Dominique Gonzalez-Foerster Dia at the Hispanic Society”, Art In America, November
“Dominique Gonzalez-Foerster – Chronotope”, Displayer 03, Karlsruhe University of Arts and Design, pp.197-203
Roberta Smith, “The London Frieze Fair Spawns Provocative Action on Its Fringe”, The New York Times, October 22, p.C7
Charlotte Higgens, “Catastrophe at the Tate: New Installation Sees Future Worlds as a Disaster Shelter”, The Guardian, October 14, p.14
Rachel Campbell-Johnston, "Bed and Bored in the Chamber of Horrors", The Times, October 14, p.22
Richard Dorment, "A Waste of Turbine Hall Space", The Daily Telegraph, October 14
Randy Kennedy, “It’s Only Natural, This Thing for Books”, The New York Times, September 2009

2008

Marie Darrieussecq, "Dominique Gonzalez-Foerster", Art Review, No.26, October, pp.92-96
Fiona MacDonald, "Taking Town by Storm", Metro, October 14, p.27
Penelope Curtis, "Yourself", Tate Etc., No.14, Autumn, pp.56-59
Gina Thomas, "Richtung Abgrund", Frankfurter Allgemeine Zeitung, October 18, p.37
Jennifer Allen, "Wenn die Flut Kommt", Süddeutsche Zeitung, October 16, p.11
Magnus Bons, "Konsten som Skärm", Konstperspektiven, No.3, September, pp.30-34
Polly Staple, "Switzerland", Frieze, No.116, July/August, p.185
Astrid Mania, "Auf den Spuren von Filmen", artnet online, April 15

2007

Jessica Morgan, "Expodrome", Artforum, December, pp.328-329
Eva Wittocx, "Skulptur Projekte Münster 07", Flash Art, October, pp.78-79
Polly Staple, "Expanded Fields", Frieze, September, pp.145-147
Diedrich Diederichsen, "Muenster Diedrich", Frieze, September, pp.142-144
"Interventionen in Paris", Monopol, No.5, May, p.116
Daniel Birnbaum, "Enchanting Emptiness", Parkett, No.80, pp.72-87
Pamela Echeverra, "Transformed Space", Parkett, No.80, pp.100-107
Catherine Wood, "The Middle Zone",Newspaper Jan Mot, No.58, August, pp.4-6
Alexander Alberro, "Am Ende eines Pfades. Über Skulptur Projekte Münster 07", Texte zur Kunst, September, p.260-261
Patricia Grzonka, "Münsters Skulpturensommer", Kunst-Bulletin, July/August, pp.34-41
Jens E Sennewald, "Dominique Gonzalez-Foerster im Musée d’art moderne de la ville de Paris", Kunst-Bulletin, April, p.68
Corinne Rondeau, "Dominique Gonzalez-Foerster, Musée d’Art Moderne de al Ville de Paris", Frog, Spring/Summer, pp.62-67
Catherine Franclin, "Dominique Gonzalez-Foerster & Cie, Expodrome", Art Press, No.334, May, pp.77-78
Jennifer Allen, "Room with an Overview", Frieze, May, pp.140-145
Silke Hohmann, "Komisch, konzeptionell: Dominique Gonzalez-Foersters museale Interventionen in Paris", Monopol, No.5, May, p.116
Bérénice Bailly, "Dominique Gonzalez-Foerster, Bourlingueuse des arts", Le Monde, February 17, p.18

2006

Daniel Birnbaum, "Best of 2006", Artforum, December, pp.270-271
Jessica Morgan, "Best of 2006", Artforum, December, pp.278-279
José Roca, "Perspectives on the 27th Sao Paulo Bienal", Prefix Photo 14: Time Passages, Vol.7, No.2, November, p.37
Hans Ulrich Obrist, "Plans to Escape – Interview with Dominique Gonzalez-Foerster", Flash Art, No.251, November-December, pp.78-80
Jacques Ranciére, "L’espace des Possibles / Rooms and possible scripts", Artpress, No.327, October, pp.29-35
"Dominique Gonzalez-Foerster", 100 Artistes, BeauxArts Magazine, 2006, pp. 88-89
"Boutiques Microclimatisée - Conversation Avec l’Artiste Dominique Gonzalez-Foerster", Libération, June 30

2005

Jens Emil Sennwald, "Ralentir Vite’ im Plateau Paris", Kunst-Bulletin, January-February
p.59
Mariano Mayer, "Interiores", Neo 2, May, pp.66-71
Daniel Birnbaum, "The Lay of the Land", Artforum, Summer, pp.270-274, p.272

2004

Bernard Blistène, "Entracte", L'Oeil, No.559, June, pp.94-99
Barbara Basting, "Karge Assoziationsräume einer Weltenbummlerin", Tages-Anzeiger, July 2
Philip Meier, "Raum der Imagination: Dominique Gonzalez-Foerster in Zürich", Neue Zürcher Zeitung, June 15
Niklaus Oberholzer, "Schau der Extremen Konzentration auf Beinahe Nichts", Neue Luzerner Zeitung, June 21
Dominique Von Burg, "Kräfte, die Sich Auflösen", Zürichsee Zeitung, July 16
Moritz Küng, "Tropicalisation!", Newspaper Jan Mot, No.44, October, pp.1-2
"'Alphavilles?' Verlangen naar Tropische Plekken", Architectenkrant, No.10, pp.5-6
Lars Kwakkenbos, "Zoals een zon die ondergaat", De Standaard, November 11, p.25
Dries Vande Velde, "Dominique Gonzalez-Foerster-Alphavilles?", De Witte Raaf, No.112, November/December, pp.3-4
Tom Nys, "Dominique Gonzalez-Foerster in deSingel te Antwerpen", Kunst-NU, December, pp.22-27
Elisabeth Lebovici, "'Alphavilles?' itinéraire bis", Liberation, April 12, p.40

2003

Robert Murphy, "Out of Bounds", WWD, March 20, p.20
Damien Sausset, "Dominique Gonzalez-Foerster. Mon Atelier, c'est la Ville!", pp.52-56
Jean Max Colard, "2002: l'odyssée de l'espace", Les Inrockuptibles, pp.76-77
Hans Ulrich Obrist, "Interview with Dominique Gonzalez-Foerster", Tema Celeste, 48-51
Jan Verwoert, "Modern Future Past Park. On 'A Plan for Escape' by Dominique Gonzalez-Foerster", Afterall, No.8, pp.45-52
Alexis Vaillant, "The Multi-Faceted Cinema of Dominique Gonzalez-Foerster", Afterall, No.8, pp.53-60
Tom Morton, "On the Waterfront", Frieze, Issue 78, October, pp.112-115
Martin Herbert, "Best of 2003: 11 Top Tens", Artforum, No.42, December, p.134

2002

Ev Karcher, "Lautes Lachen über dem Abgrund", Artinvestor, No. 2, 2002, pp. 21-24.
Peter Guth, "Jeder Inszeniert Sich Selbst", Frankfurter Allgemeine Zeitung, February 2
Fabian Stech, "Zimmer mit Aussicht", Kunstforum, No.159, April/May, pp.270-283
Anaid Demir, "Dominique Gonzalez-Foerster. Passeport pour l'Espace", p.38

2001

Jade Lindgaard, "La Métamorphose", Les Inrockuptibles, No.274, January 23-29
Angelka Heinick, "Die Geheimnisse der rue Louise Weiss", Frankfurter Allgemeine Zeitung, January 21
Marie Lechner, "Ann Lee, en sécurité", Libération, February 23
F.C, "Ann Lee in Anzen Zone", Modzik, February, p.33
Catherine Francblim, "Dominique Gonzalez-Foerster. Fragments du Futur", Artpress, No.267, April, p.29-33
Emmanuelle Lequeux, "Qu'est-ce qui Fait Tourner Dominique Gonzalez-Foerster?", Aden, No.149, January 30
Anne Pontégnie, "Dominique Gonzalez-Foerster. Galerie Jan Mot", Artforum, April, p.149
Konstanze Grüwell, "Morgenlicht in der Bucht von Hongkong", Frankfurter Allgemeine Zeitung, June 1
Sandra Danicke, "Gefühle im Hafen", Frankfurter Rundschau, June
Gabriele Nicol, "Verkrampfter Telefon-Flirt im Kinoflair der Fünfziger Jahre", Frankfurter Neue Presse, June 18
Jörg Heiser, "Ufos im Topkapi-Serail", Süddeutsche Zeitung, No.220, August 24, p.16
Soline Delos, "Trois Artistes trés Contemporains", Elle France, No.2910, October 8, p.156
Daniel Birnbaum, "Vom White Cube bis Super-Houston", Parkett, No.63, pp.187-190
Ahu Antmen, "Istanbul Biennial", Flash Art, Vol.XXXIV, No.221, November/December, p.91

2000

Philippe Rahm, "L'urbanisme des Flux", Supplement of Le Temps, April 10
Patrick Bouvet, "Dominique Gonzalez-Foerster", Voilà-le monde dans la tête, p.37-38
Jean-Christophe Royoux, "Cinéma D'exposition: L'espacement de la Durée", Artpress, No.10
Karine Vonna, "Contaminations", Mouvement, No.10, October/December Autumn, p.11
Jens Asthoff, "Ich ist ein Alien", Szene Hamburg, October
Jahn Wolf, "Cineastische Heldenkonstruktion", Hamburger Abendblatt, October 9
Nicole Büsing and Heiko Klaas, "Der Künstler als Produktpirat", Neue Osnabrücker Zeitung, October 11
N.N, "Die Bilder denken Sie sich jetzt bitte selbst dazu", Die Welt, October 11
Nicole Büsing and Heiko Klaas, "Wem gehört eigentlich die Mona Lisa?", Kieler Nachrichten, October 28

1999

Peter Herbstreuth, Ortlose Räume, Der Tagesspiegel, October 30
Éric Troncy, Chambre avec vue, BeauxArts magazine, Qu’est-ce que l’art (aujourd’hui)/What is art (today), December, pp.126-129

1997

James Scarborough, "Dominque Gonzalez-Foerster", Art Press, No.225, June

1995

Akiko Uchiyama, "Interview With a Key Person: Dominique Gonzales-Foerster",Gallery, No. 1
Jutta Koether, "The mind of a Mnemonist", Artforum, September

1994

Francesco Bonami, "Unfair-Art Collogne-Saatchi Collection", Flash Art, January/February
Bert Steevensz, "Het verhaal van de kleur, de kleur van het verhaal. Hedendaagse Franse Kunst In Nederland", Supplement of Vrij Nederland, April
Paul Depondt, "Stilleven met bed stoelen en tafel", De Volkskrant, April 15
Catherine van Houts, "Verhalen van een interieur", Het Parool, May
Eva Karcher, "Die neunziger Jahre: Künstler als Forscher", Art, July
Miki Miyataki, "Arcus leads the way in patronage", The Japan Times, December

1993

Emmanuela De Cecco, "Iconografia Sveviana", Flash Art, February
Pascaline Cuvelier, "Le Club des Quatre", Liberation, March 10
Maiten Bouisset, "Carré d’as Dans les Salles de l’Arc", Art Press, April
Inga Lemke, "Der Raum wird zur Kunst", Kölner Stadtanzeiger, November 16
Robert Fleck, "Die Jungen von Heute", Art, December

1992

Isabelle Graw, "The Daughter of a Taoist", Texte zur Kunst, Spring
Benjamin Weil, "Remarks on Installations", Flash Art, No.162, January/February
Jason B. Flinn, "Cabinet de Pulsions", Tema Celeste
Benjamin Weil, "Dominique Gonzalez-Foerster-A Broken Interview", Flash Art, No.163, March/April
Kate Bush, "Exhibit A", Art Monthly
Robert S. Silver,"Exhibit A", What’s On, May 27
Loredana Parmesani, "Pui Vero Del Vero", Flash Art, May/June
Hans Jörg Mettler, "Villa Arson. Variationen zur Dialektik zwichen Provisorischem, Definitivem und Wesentlichem", Zyma, No.5, November/December
Bernadette Bost, "A vous et à moi - Barbara Kruger 'I Myself and Others' au Magasin (Grenoble)", Le Monde, October 2

1991

N.N. "S kann nicht vergessen", Kölner Stadtanzeiger, April
Olivier Zahm, "No, not that one, it's not a chair", Art Press
Olivier Zahm, "Reve, Fantaisie", Artforum
Eric Troncy, "DGF", Le Petit Journal de l'Art
N.N. "Ein Raum wie ein Buch", Kölner Stadtanzeiger, November
Eric Troncy, "No Man's Time", Flash Art, No. 161, November/December

1990

Eric Troncy, "French Models", Artscribe, September/October
Lieven Van den Abeele, "French Kiss", Artefactum, September
Liz Stirling, "Dominique Gonzalez Foerster - Gabrielle Maubrie", Art+Text, May
Nicolas Bourriaud, "Nouvelle Vague", Beaux Arts, No. 78, April
Nicolas Bourriaud, "Ozone", Art Press, January

1989

Esther Schipper, "Dominique Gonzalez-Foerster, Jean-Pierre Nouet", Iskousvo, No. 7
Eric Troncy, "Vers une écologie du regard", Halle Sud, No. 4
Arielle Pelenc, "Dominique Gonzalez-Foerster", Art Press, March

2002

Marcel Duchamp Award, Paris

1996-97

Mies van der Rohe Award, Krefeld
Five months artist residency, Villa Kujoyama, Kyoto, Japan

1994

One month artist residency, ARCUS-Project Moriya, Japan

Centre Pompidou, Paris, France
Fondation Louis Vuitton, Paris, France
Dia Art Foundation, New York, NY
M+ Museum, Hong Kong
Moderna Museet, Stockholm, Sweden
Solomon R. Guggenheim Museum, New York, NY
Tate Modern, London, UK